PAPER BINDING "ALLA VENEZIANA" - VEN0217
Milan, 4/5 February 2017
Cristina Balbiano d'Aramengo
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This binding, traditionally known as "alla rustica," was widely in use in Venice in the eighteenth century and appreciated for its simplicity, lightness and low cost.

It gives a good opening of the volume and is completely reversible: the sections, traditionally sewn on alun tawed leather strings, are set up on fine cord or tape of ramie (both less bulky and thick than leather), whose ends are then connected and attached directly to the cover.
This consists of a simple rectangle of a thin soft cotton card, which traditionally is folded inward on all four sides (head, tail and fore edges), to which are glued the endpapers.

There are many examples of these bindings, sometimes with a simple strip of monochrome paper glued at the spine to hide the sewing supports, and with nice title labels, often handwritten; in some cases the bindings are covered with decorated papers with bright colors, which protect and adorn the cover: marbled, dominotées, or pasted papers.

During the workshop we will make a binding with a cover in khadi Indian paper, covered with decorated paper.

Also, it will be possible to make a small mock-up of the structure, in order to keep track for future reference.


PAPER BINDING "ALLA VENEZIANA" - VEN0217
Milan, 4/5 February 2017
Cristina Balbiano d'Aramengo

Book Arts Design Hub